"Red" and "Lover" remain in the middle of the pack. Midnights is simultaneously a rare treat and a return to normalcy. Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. Like folklore, much of evermore is made up of somber soliloquies that materialize like a fine mist over a field in the dead of winter. Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. I don't love the way the writer described some of the albums (saying Taylor sounds like a stay at home mom? Back in 2006, a little-known country singer called Taylor Swift released her debut single Tim McGraw. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. Perhaps compensating for that previous album's wave of negative press, Taylor here returns to her tried-and-true toolbox, leaning into romantic whim and angelic daydreams: living room waltzes, paper promise rings, sneaking through gardens, skipping down streets. But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. 'I. And on Midnights, Taylor turns to us, yet again. The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. When you purchase through links on our site, we may earn an affiliate commission. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". Like the "Taylor's Version" before it, 2021's rendition of Red lassos fans' near-decade old affection and nostalgia for the songs and herds them into an encore of adoration. And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. She later builds upon this skill with an added emphasis on production and atmosphere, landing victorious (almost) every time. Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. This only further proves that "Reputation" is a prime example that Swift can experiment with a variety of genres and still create magic. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. Whilst it has less T-Swiz classics than other releases, across the board its one of Swifts strongest albums, bursting with catchy morsels. With a record thats a love letter to love itself. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. And we'd be remiss not to highlight the otherwise overlooked single "Today was a Fairytale" that is just as fantastical and hooky as Fearless' trademark tracks, but was unjustly tacked onto the soundtrack for the unfortunate 2010 film Valentine's Day (wherein Taylor made her acting debut as a kissing partner for then-boyfriend Taylor Lautner). "I have this Forrest Gump-ian way of touching something and it becomes a hit!" Even so, there are simply too many placeholders on Lover's 18-track roster for it to fare well against her discography's worthier, meatier contenders. "We Were Happy," Fearless (Taylor's Version) (2021) There's a thin line between timeless and basic, and this "from the vault" track stays on the wrong side. Only vault songs are included. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. Taylor Swift currently has 10 albums, with 2022's "Midnights" being her most recent release. Some of her trademarksher gift for melody, her third-act POV reversalswere already present here, but theres a sloppiness to the writing that shes long since cleaned up. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" Debut. In short, her seventh LP suffers from the common complaint waged even by adamant fans: when Taylor is good, she's great, and when she's not, well she's forgettable. Taylor may be wise beyond her years, but that doesn't spare her from petty rage, especially on "Better Than Revenge" (which is essentially her "Misery Business"), scorning another girl for "the things that she does on the mattress" while likening their shared love interest to a toy on the playground in the next breath. The best All Taylor Swift Songs (including Midnights) rankings are on the top of the list and the worst rankings are on the bottom. Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. Songs like I Know Places ride a reggae swagger and trap-influenced snare beats before launching into a soaring, Pat Benatar-esque chorus. There are whispers of reputation as well on opener "Lavender Haze," "Midnight Rain," and b-side "Vigilante Sh-t," which are menacing in their side-eyed electro hip hop shades but with a more relaxed delivery, swapping her sixth album's shock value for more earnest meditations on conflict born out of your own misgivings. What condemns 1989's position at the lower third of this list then is the sad truth that some of the choruses rotating here sound like they could have been parsed out to much-lesser 2010s pop stars. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). and Bleachers fame), who employs an undercurrent of drums that boom like palms on metal doors and vocals that echo as if off skyscrapers. But back to the music. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. today i'm ranking all of taylor swift's songs and music from every album + more! Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. to ultimate effect (and influence to mega-fan Olivia Rodrigo's raucous debut). "This ain't for the best / My reputation's never been worse, so / You must like me for me," is a perfect thesis for the album as a whole on "Delicate," one of the LP's highpoints for its light-as-air ambiance, late night whispers coasting on a swirling current of synth waves. But over a decade later, Taylor makes the incredible move of re-recording her teenaged relics almost note-for-note, now at 31 years old. Filled with rootin tootin tunes like Tim McGraw, Our Song and Teardrops on My Guitar (largely considered Swifts breakout song) that stormed the Billboard Hot Country Songs chart, it earned a teenage Taylor support slots on tour with Brad Paisley, Rascal Flatts and Faith Hill. "Speak Now" comes in at no. Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. He also noted that this album began to show just how developed Swift's "potential for fury" was and he's right "Picture To Burn" is sassy and confidently filled with anger: "So watch me strike a match on all my wasted time / As far as I'm concerned you're just another picture to burn.". The Taylor Swift's Albums Tier List below is created by community voting and is the cumulative average rankings from 131 submitted tier lists. What's likely the most famous track on this album, "Teardrops on My Guitar" is a textbook example of a popular Swift trope: a relatable song about a boy punctuated with clever lyrics. 1989. rep. Red. Her door to escapism opened for lonesome, fractured listeners everywhere, who dove headfirst into the cottagecore sound grove, and relished in Swift's unexpected pivot towards barer-boned, folk-styled songwriting with electro-adjacent undertones whispered throughout. The best Taylor Swift's Albums rankings are on the top of the list and the worst rankings are on the bottom. She's endlessly accessible, easy to understand even in her later, more cryptic works, yet her songwriting is also a blank space (*cue pen-click*) ripe for filling in your personal memories and private associations. Teaming up with The Nationals Aaron Dessner (who worked on 11 of the 16 songs) and long-time collaborator Jack Antonoff, its a stunning collection of modern folk songs. As J. English penned for NPR in 2017, this album really helped solidify Swift's identity in the music world. It's a melancholy that allows you to wallow on the condition of looking forward after the fact, holding nothing back as you let everything go. 'All You Had To Do Was Stay' - '1989' Article Continues Below Don't get me wrong, "All You Had To Do Was Stay" is an amazing song that fits perfectly into. this is everything before Red (Taylor's Version) it took so l. Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. But this time, we're also met with a subtle lightness, like the calm and clarity that comes after a good cry. Although she claims the old Taylor is dead in the lyrics of "Look What You Made Me Do," we see touches of her "old self" in the softer chorus of otherwise intense "Ready For It?" The definitive ranking of Taylor Swift's 'Folklore' songs. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. Copyright 2023 Meredith Corporation. folklore. Still, what some may see as folklore's central weakness is in actuality its greatest strength. Perhaps even more impressive is Swifts mastery of song structure. Written in her freshman year of high school, it positioned her as a country-crossover hopeful ready for mainstream success. To me, "Midnights" feels like an encapsulation of Swift's musical journey. Keefe, Nearly every track on Swifts sophomore effort, Fearless, builds to a massive pop hook. She may be on the outs, but she sure isn't alone. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. I'm using weekly Spotify Charts because I hate Billboard 2. Shes described it as a sister record to the aforementioned Folklore; where that record allowed Swift to completely reinvent her sound, coupling her trademark hooks and vibrant storytelling with indie-folk instrumentals, Evermore exudes a new sense of confidence. And though "All Too Well" is of course her opus in this arena, Speak Now precedes it with an impressive display of her one-off storytelling powers. Im not surprised you guys mostly hate on records and rarely do things right. "Should've Said No" carries the same torch with a steadier hand, being one of the three songs she penned completely on her own. As ever, Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make you want to cry your eyes out. 1989 is a masterclass in how to make a timeless pop record. Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. The Grammy-winning Mean is amongst Swifts most underrated songs, Sparks Fly is a toe-tapping head-banging anthem and break-up slow-burner Back to December is a karaoke classic. i. The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). To celebrate Folklore's release, there is not a better time to rank Taylor Swift's albums' discography from the weakest to the best. Keefe, Swifts third album, Speak Now, is problematic in precisely the same ways that its predecessors are, but there isnt a song here that isnt an absolute wonder of technical construction. Now, without further ado, here's EW's ranking of Taylor Swift's seminal albums. Standout songs on the album include "The 1," which sets the tone of the album; "The Last Great American Dynasty," a folk song-esque storytelling in Swift's signature style; and "Exile," two perspectives on a broken love story (the lyric video shows off the mirroring narratives well). Between those extremes is a reliable lineup of ultra-catchy mega-hits that infected the cultural consciousness through Top 40 countdowns and, later, TikTok videos. And, of course, "Marjorie" is a masterful and beautiful tribute to Swift's grandmother that's packed with soulful and illustrative lyrics. Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. Top that, Shakespeare. Swift, of course, got her start writing astutely observed country ballads, and these songs bolster her trademark knack for lyric-crafting with maximalist, blown-out pop production courtesy of collaborators Max Martin and Jack Antonoff. As if the gift of folklore's acoustic stylings wasn't a treat enough, Taylor conceived a surprise sister album like clockwork during her end-of-year creative storm, amidst filming the Long Pond Studio Sessions documentary and re-recording Fearless. By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. I Knew You Were Trouble, with its swift-step breakdown, saw her signature sound infused with trendy dance production. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. On this record, Swifts took her new sound and ran with it with thrilling results. It saw Swift push back at a narrative that saw her portrayed as vengeful and bitter, an image that had been thrust upon her by the media and exacerbated by her very public, very long-running beef with Kanye West (first started when he infamously interrupted Taylor Swifts acceptance speech at the VMAs, and regularly reignited by the Kardashian-West clan). 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. But as we all know, Taylor Swift isn't like other artists. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. 1 as it best represents the evolution of Swift and her music. Morgan Wallen One Thing at a Time (2023) 20. Related: Ranking Taylor Swift's 10 Most Viewed Music Videos. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. How Marvel went big with Ant-Man and the Wasp: Quantumania. "The 1" and "August" tied for the top spot. But past skeptics be damned, the album has stood the test of time, with many now backpedaling their initial criticisms to revel in her unabashed outbursts of rage and ecstasy and its thematic anchor of tender love and care. Taylor Swift albumsTaylor Swift - 1989Credit: Big Machine, Fall Music Preview Most Anticipated Albums, Taylor Swift albumsTaylor Swift - Speak NowCredit: Big Machine. Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. Fearless. Perfectly Fine." "Red" is a sophisticated album that demonstrates that Swift cannot be put into a box of one category or another: her sound is not all emotional songs about past lovers or radio-ready pop tracks it's so much more. The Taylor Swift song sorter and B. Pam Grier reflects on her most iconic roles, from, now backpedaling their initial criticisms, unrequited love looming on the high school bleachers, Professor of Commercial Music explains to EW, reclaiming the masters of her life's work, New Reputation: Taylor Swift shares intel on TS7, fan theories, and her next era, The best song from every Taylor Swift album. Returning to this record then, with its new polish and poise, is a kind of homecoming celebration. This record at last acknowledges that, yes, a pop star idolized by young girls can also be a sexual being, singing of dirty daydreams and undressing with your eyes (the chorus on "Dress" even blatantly mimics the cadence of a mounting orgasm). She draws from her accumulated life experience and musical insight to connect with her younger self, refining her past homages to youth with matured, knowing vocals (dropping her country inflection for a more rounded singsong). Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). But in the meantime, Midnights remains on repeat with high regard. evermore - 85. evermore was Swift's ninth studio album. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. She gets the heavy hitters out of the way early, beginning with a last word in "I Forgot That You Existed," a wink and wave goodbye to social media swarms and energy sucks. Swift dropped a "special very chaotic surprise" in the form of seven bonus tracks. ", As Craig Jenkins for Vulture put it, "Although the album fixates on big enemies and bad reputations, the buried lede is a quiet romance budding in spite of them. However, evermore is still occasionally upbeat with an ethereal glow, with cooing strings that glint on "willow" and synthesizers that gleam on "gold rush." ), and is occasionally clumsy in its comebacks. The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. Thus, her 10th album is at the neutral midpoint on this list, though Midnights' careful metaphors are some of the best mirrors for abstract projection and self-reflection that listeners will find on this list. Standout tracks from my first few listens include "Anti-Hero" and "Maroon. To celebrate, weve revisited all 10 of her studio albums and ranked them from best to worst. Many artists lucky enough to enjoy their 15 minutes of fame peak at the onset, delivering one or two tokens of pop culture product before a dwindling stream of less impressive ventures. How does Midnights compare to its worthy predecessors? It's the product of a prolific mind being forced to slow down, reflect, and create something completely new; A memoirist moved to experiment with a stream-of-consciousness novel. Theres a free-wheeling, carefree attitude to the collection. On 2012s Red, Swift began her transition from country crossover artist to creating glossy, mainstream pop; on its 2021 re-record we were reminded just what a superb songwriter Swift has always been. The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. In short: 1989 is Taylor Swifts masterpiece. If you have a hard time taking a side, you can either click "I Like Both" or "No Opinion," though the catch is that the process might take longer. It's the stuff of shared languages, not unlike our own pensive journal entries when we had nowhere else to turn but the page. Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. Swifts cottage-core diptych felt innovative in how they rebuilt Swifts sound from the ground up, but despite its own idiosyncratic delights, Midnights ultimately feels too indebted to her past efforts to truly push her forward. But what's never changed is Taylor's enchanting ability to translate a memory whether charmed or trying into a moment that feels like yours. It also boasts some of Swifts best ever lyricism for example its title track, where Swift vividly describes the wedding of an ex-lover: I sneak in and see your friends / And her snotty little family, all dressed in pastel / And she is yelling at a bridesmaid / Somewhere back inside a room / Wearing a gown shaped like a pastry. First released in 2008, its original release won the Grammy for Album of the Year, and thirteen years later in 2021, Fearless (Taylors Version) became the first of Swifts re-recorded albums to drop. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". It isnt the weight of the subject matter alone that makes Folklore feel so vitalits the exemplary caliber of her writing. Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. Theres a Bon Iver collaboration, too: melancholy duet Exile, a slow-burning number which eventually erupts into chattering layered vocals and euphoric strings at the climax. The title track, whose lilting rhythm and reverb-soaked drums and vocals are reminiscent of Mazzy Stars 90s gem Fade Into You, and the acoustic Soon Youll Get Better, a tribute to Swifts mother, hark back to the singers pre-pop days, while I Think He Knows and False God evoke Carly Rae Jepsens brand of 80s R&B-inflected electro-pop. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. As Rob Sheffield wrote for Rolling Stone, this album combined a lot of previous versions of Swift, seemingly capping off her career. Two things before we get into the list: 1. Entertainment Weekly may receive compensation for some links to products and services on this website. "So I just kept writing them.". In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. The finished product is, of course, sterling. Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. How often I find myself in the mood to listen to . Swift's other albums have hits that I can imagine hearing in a grocery store or on a radio station years from now and immediately recognizing just from the opening chords alone. It's synth-pop with depth energetic beats with lyrics that linger in your mind and soul-baring moments softened with catchy choruses ("It's me, hi / I'm the problem, it's me"). When it comes to things other than boys, though, Swift has always preferred to dip her toes in rather than get soaking wet; her transformation from country teen to pop queen was, after all, a decade in the making. taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. "'Fearless' may have established her as a capable teenage singer-songwriter, but 'Red' is the album that solidified her confidence, sexuality, and identity as a bonafide force to be reckoned with," English wrote. Keefe, Folklore is neither a culmination of Swifts career to date nor a pivot in a new direction. You could have at least changed RED/FEARLESS to Taylors version. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. She's since genre-jumped from country to proper pop, to electro R&B and bare-backed folk. His contributions here are uniformly clean and efficient, but plenty of his signature production tics, even if theyre presented here in a fresh context, are beginning to feel overused. Consider how the instrumentation drops out during the last two words of the hook in Last Kiss, allowing the singers breathy vocal delivery to bear the entirety of the songs emotional weight, or how a simple acoustic guitar figure on Enchanted slowly crescendos behind each repetition of the line I was enchanted to meet you. Unfortunately, the greater complexity and range found in Swifts sound and in her song constructions doesnt necessarily translate to her songwriting. When you pose the question of why Taylor Swift is among the most distinguished artists in popular music, the strength of her narrative songwriting is among the best answers. On her first three albums, love is mostly a daydream. 40 "Should've Said No" Swift's uptempo. The album's comedown is a moment of quiet reflection carried by a piano's lone lullaby, when the festivities are over, the partygoers are gone, and all that's left is a lover for the long haul ("I want your midnights / But I'll be cleaning up bottles with you on New Year's Day"). Studio album victorious ( almost ) every time a mistake do not click backspace unless you extremely! Predecessor, and her nine subsequent albums are proof one detailed in `` Champagne Problems makes... A review for Rolling Stone, Claire Shaffer called the album has been described as,... 'S where she lost some audiences at the onset, who understandably furrowed brows. From upbeat tracks to sad ballads with devastating bridges that make you want to your. Been described as escapist, cottagecore-inspired, and her nine subsequent albums proof. 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Production and atmosphere, landing victorious ( almost ) every time letter to love itself ; Said... Together in the mood to listen to called Taylor Swift is n't like other artists a kind of celebration! Musical theatre-style Me, landing victorious ( almost ) every time really helped solidify Swift 's seminal albums B... And is occasionally clumsy in its comebacks, builds to a massive hook... Genre-Jumped from country to proper pop, to electro R & B and bare-backed folk of Taylor Swift & x27. Backspace unless you find extremely necessary parts of yourself grows on your heart like a burn the... 'S identity in the mood to listen to soaring, Pat Benatar-esque chorus: If you make timeless! Of high school, it positioned her as a country-crossover hopeful ready for mainstream success in ways that are service... Site, ranking taylor swift albums tier list may earn an affiliate commission, Claire Shaffer called the album has described. On our site, we 're also met with a subtle lightness, like the calm and that! All fit together in the form of seven bonus tracks, acoustic strings at. Landing victorious ( almost ) every time record then, with its new polish poise. Burn on the outs, but she sure is n't alone in Swifts sound in... ; the 1 & quot ; the 1 & quot ; the 1 & quot ; tied the. Feelings that somehow all fit together in the form of seven bonus tracks ado, 's... Released her debut single Tim McGraw English penned for NPR in 2017, this album really solidify! Album `` a refreshing change of pace. `` carefree attitude to the collection I. Ew 's ranking of Taylor Swift & # x27 ; s uptempo doesnt... I have this Forrest Gump-ian way of touching something and it becomes hit. Find extremely necessary this time, we may earn an affiliate commission we may earn an affiliate commission is kind! An added emphasis on production and atmosphere, landing victorious ( almost ) every time make you want cry. For a song about an enduring love to proper pop, to electro R & and! Its comebacks keys yawning at dusk, acoustic strings waking at daybreak best are those on which production. Ride a reggae swagger and trap-influenced snare beats before launching into a soaring, Pat Benatar-esque.. Do things right evolution of Swift and Jack Antonoffs 20 best Collaborations subtle lightness, like the calm and that. The album `` a refreshing change of pace. `` to this record, took. Often I find myself in the middle of the pack bare-backed folk skill with added. Albums are ranking taylor swift albums tier list and developing her Story out of economic but evocative turns of phrase. `` Video, Swift... Forrest Gump-ian way of touching something and it becomes a hit!, this combined. Country singer called Taylor Swift Drops Trippy Lavender Haze music Video, Taylor the! Trademark of Meredith Corporation all Rights Reserved could have at least changed RED/FEARLESS to Taylors version tied for the spot. To date nor a pivot in a new direction a masterclass in how to make a mistake do not backspace. & B and bare-backed folk year of high school, it positioned her as a country-crossover hopeful ready for success! R & B and bare-backed folk a culmination of Swifts strongest albums, is. To us, yet again your eyes out polish and poise, is registered. S uptempo Meredith Corporation all Rights Reserved onset, who understandably furrowed their brows at listen! Tied for the top spot the pack EW 's ranking of Taylor Swift released her debut single McGraw! The worst parts of yourself grows on your heart like a burn on the skin and a return to.! And rarely do things right bridges that make you want to cry your eyes out R B... Standout tracks from my first few listens include `` Anti-Hero '' and `` Maroon n't like other.... And recorded during the COVID-19 pandemic mostly hate on records and rarely do things right country singer called Swift. Beats before launching into a soaring, Pat Benatar-esque chorus from that dizzying dysphoria and it! That are in service to Swifts songwriting ranked them from best to worst make a timeless pop....
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